Selected Works
Three decades of image-making — from master lithography and oil painting to digital surrealism and monumental civic sculpture. Each work an exploration of the human psyche, truth, and the illusion of progress.
Recent Civic Commission · City of Miami · 2025
City of Miami Administration Building · Public Art Commission
A monumental bronze landmark for the City of Miami Administration Building — a hybrid human-equine-winged figure standing at the threshold between organic and algorithmic, grounded in power and rising into the intelligent future.
Artist
RomansEye
M. Roman Young is first and foremost a painter and master lithographer — a rigorous classical training that underpins everything else. His command of oil on canvas and the technical precision of lithographic printmaking form the bedrock of a practice that has expanded, without abandoning its roots, across three decades.
What sets RomansEye apart is the seamless conversation between traditional and digital media. His early embrace of the Macintosh in 1990 — at the dawn of the internet — was not a departure from painting but an extension of the same enquiry: how does a mark carry meaning? That question has driven his work from lithography stone to monumental civic bronze.
His digital surrealism synthesises the formal discipline of the print studio with a restless philosophical enquiry. The work has been exhibited across California — in Los Angeles, San Luis Obispo, Morro Bay, and Los Osos — and realised at civic scale in public commission.
He is an artist for whom medium is never the message — only the fullest available tool for the question at hand.
On Influences
Marcus Aurelius · Plato · Dostoevsky · Jung
These are not sources to be cited — they are figures who recur. The Stoic emperor at his desk, the cave and its shadows, the underground man, the shadow-self: they appear in the work as apparitions, uninvited and irresistible, pressing questions the image is obliged to answer.
RomansEye Studio · Practice Est. 1990
Thoughts & Process
March 2025
The stone does not forgive. Every mark is a decision — there is no undo, no layer, no filter. It is this irreversibility that I carry into every piece of work, regardless of medium. The discipline of the print shop is not a limitation; it is the thing that keeps the work honest.
Read EntryJanuary 2025
Surrealism is the refusal to accept the given surface of things. The hybrid figure is a surrealist gesture in metal: it proposes a reality that does not yet exist but should. That is what serious art does — it makes the impossible feel inevitable.
Read EntryNovember 2024
Philosophy does not decorate the work — it is the work. Every piece begins not with a visual concept but with a question I cannot stop asking. The image is what the question looks like when it has nowhere left to hide.
Read EntryGet in Touch
Whether you're interested in an original work, a print, a commission, or representing RomansEye — I'd love to hear from you.
Available worldwide for civic commissions, gallery exhibitions, and print projects.